So have not posted a blogspot in a while as I have been rather busy at work. After the Fringe Festival in Edinburgh I got a creative kick up the butt to get going with my creative output. I do of course have no current video recording device so I have continued to focus on photography and writing.
I wrote a short story the other week “The Young Boys” based on an event from Truman Capote’s book “In Cold Blood”. It is just a rough draft at the moment but its a rather good, even if I do say so myself. So that is on its way to you in the near future. I have also started to work on a few feature films that I have had churning round in my head for a few years and am considering developing one into a TV show for possible commissioning through the BBC. I got some great advice to try and submit an idea every month and to keep trying.
Well that is all long term . What has really got me blogging is some exciting news from about a short film idea I submitted to the 15 second film festival for possible funding.
VINYL TOUCH is a short film developed from an idea I had bashing around since finishing University. A concept that was just perfectly simple and engaging yet had pretty much no substance to it beyond just an idea.
It is now a short 15 second film that will be shot on location in Glasgow. The film is about a man who has a love for music and vinyl records. He however has a special talent that enables him to play vinyl records using his finger.
The short is in early pre-production stages. If you are interested in keeping up to date with all the goings on photographs, videos and rambles you can like, follow and read using the links below.
|The World holds everyone apart, apart from us|
We made it on time, better than that we were first at the door. This was an intimate venue, The Iron Belly, seemingly a cowshed with tiered seats. Stuart Bowden was our one man adventure assistant as he whisked us on a mission to save planet earth from loneliness in “THE WORLD HOLDS EVERYONE APART, APART FROM US”(Link). This one man band with his ukulele, harmonica, keyboard, loop peddle and beer crates was a sight to behold and the songs were beautiful symphonies for each character and plot driven sliding in and out of song like a musical. The story is of a man who builds a space rocket to go and lasso a planet and bring it to earth so earth wont be lonely. Along this story he meets a number of randomers and old friends. Unfortunately Stuart’s songs are perfect. His story however when compared to them just does not cut the mustard. But he is “not dead, just wind…..dead.”
The adventure depended as we headed to our next venue to see “THE SEAGULL EFFECT”(Link). I am gona throw this out there I cannot stand over acting and performances that start with somebody in the crowd acting as though they are not part of the act when they are part of the act and then proceed to create an act from the notion that they are just another audience member. Now stick those two things together and I am getting ready to throw punches and choke on my Haribo Tangtastic (supplied by my team member Tony, yes indeed our team was Tony and Guy). This performance was based around the 1987 hurricane in England which caused mass destruction and mayhem. We focused on the effect this hurricane has on a broken romantic relationship. There was way to much information on weather forecasting that was of no interest and 90% of the visuals were just for oohs and aahs, bringing little to nothing to the plot. I was disappointed as I felt the synopsis was promising but the execution was lacking. I did find out though that I am a disgusting romantic and such will always like a love relationship in anything no matter how bad it is.
The final performance was the hotly anticipated “DEATH SONG”(Link). The story of mexico, childhood, love, immigration, generators and incest. So yeah generators I hear you say. What on earth are they doing in there well they play a rather big part. The highest respect must go to this cast. Not only where they performing but also managing the sound, lighting and props at all times. There was a truly talented musician in the corner on either strumming a spanish guitar or changing the tone of the scene with his beautiful Cello sound in the intimate space. I found myself watching him at times, not just for his talent but also due to the performance taking place behind me and in front of me simultaneously. All of this while being blinded by hand held lights following the performers. I feel the used the space wisely and effectively but they could have done with a bigger space but perhaps the challenge of the smaller space enhanced their performance.
Overall I have to tip my hat to “NOBODY’S HOME: A MODERN ODYSSEY”. A strong and poignant message timed to perfection that sucked me even after I missed the first five minutes. Will Pinchin as Grant and Dorie Kinnear as Penny will have you with their final scene. A thing of beauty that to be honest I did not get from the other plays. A final scene that made me think I want to see that again. If you are able I advise a visit. (Tickets and Info) also they have a wefund.com which is still open to funding.
NB: Part two on the fringe in general is on its way.
The style must be set beside the works of Martin Parr as any look at tourism seemingly is. I think this is a beautiful capturing of the ‘mystique’ of the west as Schutmaat puts it and really is a wonderful series.
This first photograph really caught my eye. The use of lighting in this shot is a contrast to the rest of the series. I feel thought the use of a dawn photograph to start the series and a night shot to finish is an interest concept. A representation of time within a series is something I would like to experiment with.